By Deanna Raybourn
The daughter of a scandalous mom, Delilah Drummond is already infamous, even between Paris society. yet her most recent scandal is enormous adequate to make even her oft-married mom blanch. Delilah is exiled to Kenya and her favourite stepfather's savanna manor apartment until eventually gossip subsides.
Fairlight is the crumbling, sun-bleached skeleton of a pale African dream, a global the place dissolute expats are strengthened through gin and jazz documents, cigarettes and safaris. As mistress of this wasted property, Delilah falls into the decadent pleasures of society.
Against the frivolity of her friends, Ryder White stands in sharp distinction. As overseas to Delilah as Africa, Ryder turns into her advisor to the complicated great thing about this unknown international. Giraffes, buffalo, lions and elephants roam the shorelines of Lake Wanyama amid swirls of crimson dirt. the following, existence is opulent and teeming—yet fleeting and sometimes cheap.
Amidst the wonders—and dangers—of Africa, Delilah awakes to a land out of all share: extremes of warmth, darkness, attractiveness and pleasure that minimize to her very middle. basically whilst this sacred position is profaned through bloodshed does Delilah notice what's actually worthy combating for—and what she will be able to now not dwell with out.
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Extra resources for A Spear of Summer Grass
The reality of the situation is however 56 Ola Balogun far more complex than either of these generalizations indicates, for it is obvious that both the utilitarian and the magico-religious dimensions are part of an all-embracing sculptural mould. One of the best-known categories of sculpture are commemorative statuettes of ancestor-figures, and ritual statuettes of gods that are placed in religious shrines to represent divinities or devotees of the gods to whom such shrines are dedicated. These statuettes are conceived basically to serve a religious function, hence a conceptualization that relies heavily on symbols and emblems of the essential attributes associated with the god or ancestor figure.
A frequent feature of the masquerade is the mask, which covers the face of the masquerader. This is by no means a compulsory feature, since the effect of dissimulating the human features and suggesting a different presence can also be achieved through covering the face with cloth or a thick veil or even by daubing paint on the face. In some cases, as in that of the devotee who is recognized as an avatar of a god through possession, the presence of the divinity is essentially established through the behaviour of the devotee, hence there is no need for a mask or face disguise.
Since it is essentially through social organization that man has been able to dominate nature, and art plays a vital role in helping to bind men together in organized social groups, it is from the point of view of its civilizing role that art is perhaps best defined. Thus art may be said to be the olclest and most eloquent testimony of man’s social presence on earth. In any given age and society, the content and form of artistic endeavour is influenced by, and necessarily reflects, even if only by dialectical inversion, some of the beliefs, hopes, preoccupations and aspirations of that society and time, because art acts as a vehicle for social communication and cohesion.